LIZA DIMBLEBY
  • WRITING
    • Writing on Drawing >
      • Along the Canal d'Ourcq, a Drawing Walk
    • Writing on Art and artists >
      • Chagall's Box
      • Gogol and Chagall:Holding Words and Lines of Flight
      • What to Do After a Death in Scotland: paintings by Andrew Cranston
    • Other Writing >
      • Cartwright Gardens
      • Morning
      • Attention
      • Almost Like Any Other Saturday
      • Everywhere is Somewhere
      • In the basement flat opposite somebody is practicing a trumpet
      • Painting and Naming
      • Days and Pages
    • Publications
  • DRAWING
    • Drawings from the City >
      • Whitechapel market (1)
      • Whitechapel Market (2)
      • Waterloo Subway Series
      • Moscow subway (Jazz band)
      • London Drawings
      • Moscow Drawings
    • Drawings from the Studio
    • Drawings from the House
  • PAINTING
    • Domestic series
    • Give Generously Series
    • Tom Thumb
    • After Image Series
    • Vuillard Series
    • Degas series
    • From Film
  • ARCHIVE AND UPCOMING
  • CONTACT
The days are like pages, are like streets, are like walking
in  and out of the sun, the space of shadows, a sudden storm. Days like words and the colours that are held in 
words. And the paths that lock into space.
And what is seen and what is held and what can be opened up once again.

Opened up in the book of days. The page of a day. 
In the spaces between fear.
Days, dominos, collapsing each other.

The long slide.

A world where everything stands for itself.